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Pin this product on Pinterest. Share this product on Facebook. Share this product on Twitter. Learn the fine art of lettering so that you can create impressive invitations, announcements and ornamental designs with this calligraphy set.The rise of Inktober lured thousands of artists into sketching with pen. This has always been around but many newer artists are falling in love with ink for the first time.
Alphonso Dunn is a very well-known artist who runs a YouTube channel full of free videos for artists. These videos cover perspective, form, rendering, and lots of intro videos on the fundamentals of drawing. Alphonso always encourages his YouTube subscribers to draw with ink because it forces you to make marks and work around them.
And this book talks all about the process from line control to fine rendering. Each chapter covers different subjects like environments, animals, and common objects around the house. Any artist can pick up this book and find some value in the writing.
A large handful of professional artists chime in with their suggestions making this information even more valuable. The subtitle of this book makes it seem like a manga drawing resource but these inking tips can apply to more traditional comics or graphic novels too. Definitely an exquisite resource for anyone who loves the traditional medium of inking for comics. This is where Rendering in Pen and Ink comes in handy. This book is also a bit older however the lessons really hold up.
The methods you learn through these exercises all come with tons of visuals so you can study the end result. Cross hatching is a popular choice but you can toy around with other techniques and different paper quality as well.
Unfortunately the Kindle edition is not great because of the photo reproduction quality. The author Frank Lohan writes about illustration and sketching with ink through his first-hand experience. Frank discusses these rules and how pen drawing can help solidify new artistic ideas into your mind.
However you should practice on your own anyways and use this guide to help you nail down the fundamentals of drawing with ink. Each chapter covers a step-by-step approach to crafting a brilliant piece of art while showcasing the progression of each sketch along the way. In total this book covers 37 unique exercises that you can copy and reuse in your own practice work.While the first thought of sketching in pen is fine, hyperrealistic drawings. Most artists have a more enjoyable drawing experience when they keep your pen drawings loose and spontaneous.
In fact, sketching in pen is a great way to learn how to stay loose in your drawings. Drawing in a tight, realistic way leaves you open to the fear of making a mistake. I encourage you to embrace sketching in pen for the beautiful mistakes and misplaced lines you create. Essentially, every line communicates your thought process and mood while you are drawing. It's forever recorded on paper.
When I draw animalsI enjoy focusing on drawing movement. Pencils and other erasable media give you a safety net. They allow you to make mistakes. When you begin drawing, you will make mistakes. When you draw for years and years, you will still make mistakes. Drawing with a pencil allows you to fix your mistakes.
Which will slow down your learning process. There's nothing wrong with mistakes. When you are learning, record these mistakes.
Embrace what you did wrong. Sketching in pen makes you more confident in the marks you make. You are problem-solving as you sketch. Making decisions on how your hands record what you're looking at. A Japanese calligraphy is an art form entirely based on making confident lines.
You don't excel in Japanese calligraphy by sketching and erasing in pencil first. And then, going over it in ink. You learn to become increasingly confident in your lines. Also, when you're sketching in pen, you can embrace the sketchy qualities like construction lines.
For instance, you should aim to openly record your discovery lines. Making these lines a part of your aesthetic. To bring your pen drawings to life, you'll need a variety of pens to bring your drawings to life.
From the classic Bic ballpoint pen, pens with water-soluble ink to make washes more interesting. Pens without water-soluble ink to keep your lines permanent while still applying a water wash or watercolor. Marker pens and more inky fountain pens.There are several reasons I like to keep sketchbooks, and many times, I have sketchbooks for different focuses.
Here is a list of a few ways I find sketchbooks and sketching useful overall:. In this article, I wanted to share some of my ballpoint pen sketches especially from the pages of a particular sketchbook of mine. There are several reasons I wanted to do this, but mainly it was about shifting gears from my norm while also using it to create and solve challenges for myself. Here are a few ways in which I utilized it to do what I thought would be relatively simple challenges that could lead to possible new directions in other work methods.
Using ballpoint meant basically all I needed was a pen and a sketchbook, it did not require an entirely new or different set-up, and I could take it with me anywhere I went too. Ron had gotten me this really neat sketchbook that was handmade by a friend of ours. The pages are hot press watercolor, and it is not bound, but held together by binder posts, which is great for adding new pages or taking some out, as well as taking apart to scan the pages, and then put back together.
The ballpoint pens shown here are the same but appear different because one is an older model and the outer casing is a bit different — this is my favorite ballpoint pen to sketch with — an inexpensive PaperMate pen. The mark it makes is all in the point, so how you decide to fill in a large space is with lines, dots, crosshatching, or scribbling.
I found myself really enjoying building up layers of soft, light marks in order to create a variance in value, edges and atmosphere. Well, mostly. But definitely not back to the white of the paper, and most times, erasing ballpoint pen either smears the ink or creates a rougher texture on the paper. There are ways to remove ballpoint from paper depending on the papersuch as scraping an exacto knife across the surface with a very light touch, but this also has a tendency to scuff the paper too.
This is good for several things including but not limited to 1 planning ahead, and 2 not planning ahead and rolling with whatever happens. In this case, for example, there is a blank page and a dark ink that comes out of a tiny point of a pen.
Sometimes, it bleeds or blobs or smears too. Practicing patience when things such as unintended marks are made or areas take time to fill in rolls over into how I approach situations in all other aspects of life. How I react to these things is a pretty accurate reflection of how I am in most situations. Treating it as a form of meditation would be to let that happen, acknowledge what may occur because of it, and find my way back to losing myself in the process of drawing again.
The trendy term for this is mindfulness which has been around since the beginning of time. As many of us know by discovering through experience, ballpoint pen tends to bleed through other media such as acrylic or gouache. In my experience, it even bleeds through bleed-proof white.
It also bleeds into the paint and gives the paint a blue tint. This can be used in your favor, or avoided — depends on how you decide to take it. Also, there are ways to work with the order or hierarchy of layering of materials that can create some really quite magical results. I had some fun with combining ballpoint with acrylic, and different water-based mediums such as soft gel matte, with the intention of letting the pen show through, but creating an atmospheric depth.
And I experimented a bit with how ballpoint turns blue when used with acrylic. I wanted to relax and just doodle without expecting or projecting any outcome but to mainly just discover the various uses of the tool on the surface.
Sketching in pen
I tried scribbles to fill in an area, as well as lines and crosshatching, and a combination of all of the above. I also worked a great deal on practicing my pressure sensitivity for varying values, contrast, and gradations. I used some water media, washes and sometimes just water to see what it would do and how much I could use it to shade in an area.All links included in this article are affiliate links, and help support EmptyEasel.
Painting landscapes on location comes with its own host of challenges. Shari starts the class with a short introduction to her work by giving viewers a quick tour through her sketchbooks.
Her specialty is watercolor landscapes, and it definitely shows in all of her loosely-sketched landscapes full of vibrant watercolor washes. She then goes over all of the supplies she likes to use in the field when sketching and painting landscapes, including mechanical pencils for her initial sketches, micron pens of different thicknesses for a variety of shrub and tree limbsand several types of brushes that she uses primarily for washes or adding specific kinds of textures.
Sketching In Ballpoint Pen
I noticed that it has a few extra yellows and blues, which no doubt come in handy for mixing all the different greens found in landscapes. There is, however, no black—she prefers to mix her darkest colors herself. She also mentions a few other tools that may come in handy, like clips, camera, etc. You can probably do without them, but they WILL make the process easier.
Kicking off this lesson, Shari starts by explaining her process for choosing a scene to paint. She talks about how to get the best light for your painting, and demonstrates how to use a viewfinder and several thumbnail sketches to help choose the format ie. She moves from spot to spot in this lesson, pointing out the defining characteristics of each scene and explaining what it is that she plans to capture in the landscape. Shari begins this lesson by using a pen to create dynamic lines for her first landscape.
Within minutes her basic landscape drawing is done, and she begins on the fairly simple sky. Shari discusses her color choices, warm vs cool, and demonstrates how to create an interesting multi-color wash across the entire sky using wet-on-wet painting technique. The second landscape in this lesson is slightly more complex, featuring back-lit clouds over a vast farmland marked by a single tree.
After finishing her drawing, she starts the sky in a similar manner as before, but then explains how to mix more neutral hues and make hard and soft edges for the clouds.
Her third drawing builds on these methods even further, but showcases big, white, fluffy clouds and bright blue sky, which she creates with multiple washes of color while leaving the clouds intact. Her fourth and final drawing demonstrates how to paint a full-on stormy sky, with a wide range of light, shadow, and color. Throughout this lesson, Shari explains her various mark-making techniques for different types of sky, as well as how to create believable depth by using specific brushstrokes close to the horizon line.
After starting with a rough pencil sketch, Shari defines the big shapes of her landscape using a fine point pen.
She works from background to foreground, switching to larger point pens as needed, and demonstrates how to create the idea of grass, trees, rocks, hills, etc, using a variety of loose, quick, marks. With the drawing done, she references her value sketches, and begins adding watercolor washes over the top, making the large shapes of her landscape stand out, while the pen marks continue to add texture and detail underneath. She also offers a second chance to view her techniques by switching to another sketch one she started in lesson threeand repeating the process of painting in large shapes of color there, too.
She starts by adding more scribbled pen marks as needed right over the top of her watercolor from before into the shadow areas of her landscape. She then uses a large brush to add a darker wash of paint in the same area before switching to a more slender brush and a thicker mix of dark paint for finer details. The result is a soft, painterly impression of a tree-filled forest right in the foreground, all made in just a few minutes.
She then demonstrates how to go back in with pen and add intense darks prior to adding her final touches of dark paint, right over the top of those pen marks. She also looks for areas of light or white in her landscape, and puts dark colors close by for maximum contrast.Capture breathtaking landscape scenes with skill and ease!
Learn how to sketch landscapes in the field or from a reference with step-by-step guidance from artist and teacher Shari Blaukopf. Start with how to select the right supplies, find the focus of your sketch and orient your composition. Next, learn to paint the sky in all its gorgeous glory using wet-on-wet paint application, mark-making techniques and tips for creating perspective. Begin to bring your landscape features to life by breaking down the scene into manageable shapes.
Once your shapes are sketched, you'll learn to add textures and details that will make your scenes jump off the page. Then, Shari will help you build value to bring greater depth and interest to your sketch. Meet Shari Blaukopf, expert sketcher and graphic designer.
Shari begins by introducing the tools of her trade: the various sketchbooks, pencils, watercolors and brushes she takes with her everywhere. You'll also get to see a few of her incredible sketches! Join Shari in the field as she scouts the beautiful Colorado landscape for a perfect scene. Begin with a quick compositional sketch to help determine the orientation of your drawing.
Then see how to create a value sketch, a helpful roadmap to completing your final drawing. Look out the window and you'll see that no two skies are the same. In this lesson, Shari shows you how to sketch four separate skies -- morning, neutral, stormy and skies with fluffy clouds -- each with its own unique challenges. Plus, learn how to use different marks to create depth in your drawings! Just create your account to take us for a spin, completely risk-free.
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What others are saying The variety of skills you can learn is amazing. Camille Bluprint is a bargain! I love learning from the experts. Sharon I've already recommended it to friends.There is an endless amount of pen and ink techniques.
On this page, we will cover the basics of pen and ink drawing techniques, tools, and materials. Drawing with pen and ink allows the artist to create strong areas of contrast.
Most ink drawings are completed using black inks on white surfaces which leads to heavy contrast in value. Many artists choose to exploit this contrast. Others, however find it difficult to create gradations in value for this reason. The following video features excerpts recorded from a 2 part Live Lesson series on drawing with pen and ink. The full lessons 1 hour each are available to members. Several techniques of layering marks are used to create the necessary transitions in shading.
These techniques include hatching, cross hatching, random lines, and stippling. Each of these techniques are explored and demonstrated further down this page. One appeal of drawing with pen and ink is the clean, finished appearance that can be created.
Preliminary drawings can completed using graphite and then drawn over using ink. When the ink has dried, the graphite can be erased, leaving a "controlled" high contrast image. As mentioned before, there are an endless amount of pen and ink techniques. There are however, a few that are used more frequently and are considered to be the standard for drawing with pen and ink.
Drawing techniques used with ink can be as varied as the artists that use them. There are, of course, a few that are used with some frequency.
Let's take a look at each technique in detail Hatching is a technique used to add value in a linear fashion.The Ultimate Bic Pen Review For Design Sketches
The lines used in hatching mostly go in the same direction for a defined area. When hatching is used, the lines do not cross over each other.
Sketching Landscapes in Pen, Ink & Watercolor: A Craftsy Class Review
The closer the lines are to each other, the darker the value. The more space between the lines, the lighter the value. Cross hatching is just like hatching except that the lines cross over each other.
The more that the lines cross, the darker the value. Cross hatching can be used with rigid straight lines or as cross contour lines to define the form of the object. Lines going in various directions can also be used to create pen and ink drawings.
By changing the frequency of the crossing of the lines, you can control the range of value produced. Using this method can also create a variety of different textures. Stippling is adding countless dots to create the value of the drawing. The higher the concentration of dots, the darker the value. The more space between the dots, the lighter the value. Stippling may be time consuming, but it allows the artist to have complete control the application of value, which can produce highly realistic results.
Ink wash is much like painting with watercolor paint.